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Writers Discuss - Engaging Characters (#12)

  • September 10, 2015

    Writing an engaging character is all about making sure that they have multiple dimensions. Take  a character like Ron Weasley for example. He isn't just in the books to be Harry's best friend. He has his own ambitions, dreams, fears and interests. This allows us to engage and react to him on a higher level. 

    If you compare this to Lobelia Sackville-Baggins from LotR/the hobbit, all we know about her is that she wants Bagend. This isn't really enough to get to know her in any meaningful way, and while somewhat important for pushing forward the story, we can't really engage with her. 

    As for how to create an engaging character, I would suggest checking out this video (but I will summarise it below): https://www.youtube.com/watch?v=5bxfisIqMLo

    Firstly the character must be balanced and have all of the following:

    • Inspiration: What makes the character tick? What drives them forward? What skills do the have?
    • Aspiration: what is the character's ultimate goal? How will they use their inspiration to achieve this?
    • Perspiration: What makes the character sweat? What scares them? What are their fears and weaknesses? How does this interfere with the character reaching their aspiration/ultimate goal?

    Without all of these, your character will be flat/ 2 dimensional, which is not engaging. 

    Secondly, you have to ask yourself if the character is static or dynamic.

    Static characters will not change in any meaningful way by the end of the story. 

    Dynamic characters will change either during, or by the end of the story. 

    If the events of the story aren't causing your character to change then they aren't growing. 

    The biggest pitfall to avoid is the 'Mary Sue'. While it can be done right sometimes, most of the time it just creates 'super awesome characters who are the best at everything they do and are completely unstoppable no matter what they come up against.' If the character doesn't struggle with anything, then it creates no drama as every task they set their mind to is already a foregone conclusion. Plus, you sound like a five year old when you write characters like that. Please stop (unless you are actually a five year old, in which case props to you for starting young). 

    Does a story need an engaging character? The short answer is yes if you want it to be worth reading. The long answer is it could be done and still be a good read, but you'd have to be exceptionally dedicated to other aspects of the craft. 

  • Member
    September 10, 2015

    Pretty nervous here, since I haven't posted anything big round these ere parts in ages, but I'll bite...

    An engaging character is a character who has to... engage the reader. They are what keeps the reader interested, above all else. 

    There are a variety of things which make them engaging. They aren't just one dimensional; engaging characters will have flaws like all the rest of us. They'll also have passions, desires and experiences which we can relate to as readers. They've got to have some sort of purpose. This is a bit of a chicken or the egg scenario, but readers need to be attached to them - whether this is what causes us to think they're engaging, or whether this happens as a result of them being engaging, who knows.

    An engaging character needs to be charismatic in some way, at least to me anyway. We need to enjoy their interactions and dialogue with other characters. They also need to have some sort of progression, change, growth or realisation. Something that causes them to evolve as the story progresses. This sorta ties in with the one dimensional thing too.

    As for pitfalls... A big one for me would be a character who isn't "human" enough. One who doesn't have flaws, or feelings, or is such a badass they could just beat the antagonist straight up would just make the story boring for me. I suppose the majority of pitfalls are opposites of the requirements for an engaging character.

    As for engaging characters... Kvothe from the Kingkiller Chronicle is the pinnacle in my opinion. He develops throughout the story, and you know he is only human, despite his reputation. Locke Lamora from the Gentlemen Bastards sequence is also really engaging, simply because of his attitudes and flaws. He's a thief and he knows it, and doesn't appear to display any regrets at the start of the novel. But as the plot progresses, these flaws make themselves apparent, and he shows a lot of anger and cowardice. He also demonstrates caring and bravery. His journey is just brilliant. 

    I think engaging characters are something decided by the reader, not the writer. It's up to the reader's interpretation. Though I do feel like an engaging character is necessary; it just may be that you as a reader  didn't click with a character that somebody else thought was likeable. 

  • Member
    September 10, 2015

    You don't have to put flaws in a character. You can make a character a force to be reckoned with.

    Not just physical and magical prowess but mental prowess.

    What I mean by this is something similar to batman. In the Arkham City game he lacked teamwork in front of robin and he did suggest to go after Talia instead of saving a thousand criminals from death. In the Arkham Knight game, he cooperated with Robin, Nightwing and Catwoman but when Robin suggested to help Batman because he is against an entire army but Batman refused. That the flaws.

    In the Arkham Asylum game Batman managed to resist Scarecrows fear toxin and scarecrow was surprised. That was scary.

    Even though, Batman does adapt and develop just as the Arkham Knight said in the recent game.

  • September 10, 2015

    1) It depends on the reader. I likely will not be too engaged by characters from comic books, video games, and most fantasy.

    2) Redundant. Smack yourself.

    3) The pitfalls of which you are aware will be limited by your knowledge/understanding of the spectrum of human experiences. That aside, Mr. Perfect and Mary Sue.

    4) N/A

    Bonus) Dafuq?

  • Member
    September 10, 2015

    Hmm. I can see how the second question is a bit redundant. Perhaps a better question would be how can we make engaging characters?

  • Member
    September 10, 2015

    I'll add some thoughts to this.

    First off, an engaging character is not necessarily one we sympathize with. Engaging and sympathetic are not mutually exclusive, nor are they opposites.

    I think an engaging character is one who captures the reader's interest. The reader wants to know more about them and hear more of their story. This doesn't mean that the reader likes the character, however, and it does not mean they necessarily agree with the things they are doing.

    Antiheros can engage us even though they may be performing actions that are abhorrent or detestable. Walter White from Breaking Bad comes to mind. He becomes less and less sympathetic as the series progresses, yet he remains an engaging character throughout.

    So what makes a character engaging, then?

    I'd like to share a quick image:

     

    This comes from a study in creating characters by Aaron Ehasz, head writer of Avatar the Last Airbender. I think it does a great job showing what qualities a character must possess to be engaging.

    One way characters become engaging is when we see into their heads. We see the logic behind the things that they think and the decisions that they make. Yet we may, at the same time, not agree with their thinking. Characters can be engaging when they think differently than us.

    An engaging character is also usually a deep one.

    We don't need to know what their mother ate for breakfast on the morning he/she was born, but showing enough backstory and depth can go a long way to making a character compelling. They should have multiple dimensions and be able to think about things in more than one way. Good internal conflict comes from a character struggling between two ways of thinking or two ideologies that are equally important to them. It shows that they've experienced many things and can think about the world from multiple angles.

    Here's something to consider: who do you like to hang out with in real life? Why are your friends engaging to you? This can highlight some attributes that you might find engaging in a fictional character.

    Now what about pitfalls?

    Marry Sues have been mentioned (people who are overly idealized or perfect). I think another pitfall would be projecting engaging attributes onto side characters, to the neglect of the main character. A lot of writers tend to create quirks or interesting qualities for side kicks or friends of the protagonist.

    What happens, though, is that readers get left with a blank-slate main character who is surrounded by people who are much more interesting and colorful than they are. This is how villains sometimes steal the spotlight. They become more interesting than the heroes are.

    Why would a villain be more engaging than a hero?

    Part of it, I think, comes from predictability. Villains are the ones who have to come up with clever ways to thwart the hero, while all the hero does is react. An engaging character can be someone who simply does the unexpected.

    What's superman going to do if he sees a plane falling out of the sky? 

    He's going to catch it.

    Just like he catches every plane.

    That's BORING.

    A sense of the unexpected can really make a character interesting. You want them to act in ways that are believable, of course, and there need to be reasons behind their actions. But a character gains depth when they act in a way contrary to expectations. It tantalizes you, making you want to know why they did what they did and what they were thinking.

    Never forget the all important human error, too. People make mistakes. 

    The reason I posed the last bonus question was mostly to have people think about what a story would be like without an engaging character. It is a silly question, perhaps, but one that's worth asking. 

    Should you set out specifically to create an engaging character? Or should you be setting out to write a story? For some, characters being engaging is just something that grows out of the process of writing. Not all writers tackle character creation with a checklist. There's no magic criteria that will ensure your character comes across as engaging to all readers.

    At the very least, your characters should be engaging to you, If they aren't engaging to you, they sure won't be for your readers. So make them interesting!

  • September 11, 2015

      Still redundant. If you know what an engaging character is, you will know how to write one. You could ask Is there subtext with the character

    You could have a character who is engaging but superficially so: dark and brooding, says things that are profound for as long as you do not think about them, can have just about any DSM label attached to them by anyone with the internet, and is interesting insofar as they break things (e.g. anti-heroes).

    Weaving themes underneath the words and actions of a character, understanding how people are shaped by their circumstances, however, is not easy.  

  • Member
    September 11, 2015

    Superficially engaging? What does that even mean?

    I think there's a difference between what an engaging character is and why they're enaging. One describes a reader reaction while the other details the causal factors of that reaction. That's really what I'm getting at.

    EDIT:

    One other thing you mentioned...

    "If you know what an engaging character is, you will know how to write one."

    I disagree. It's not enough to know what an engaging character is. That knowledge in itself is just theory. Creating engaging characters in practice is another matter.

    I, for one, am sure that I can describe a engaging character better than I can actually write in a story. XD

  • Member
    September 13, 2015

    I have a suggestion for a topic.

    Writers aids. What I mean by this is things like a 'Time Line' . Might sound a bit trivial but when we consider a fair few members have no or very little writing backgroud, there is a good possibility that they wouldn't have the slightest idea as to structure or ways to help organise their stories.

    There's no doubt if you asked a few members here what a time line is the sort of reply would be something along the lines of...

    Well, he gets up around 8ish trains for an hour has a late breackfast then he's off out hunting around 2 in the afternoon. Back for the evening meal then a night at the Inn. Thats my time line.

  • September 13, 2015

    That really peeked your interest, didn't it?