“A Spinner’s power is in the strength of his storytelling, fostered by talent and increased by experience. As you say, a great Spinner can actually SEE the stories of the nearby world—and these stories can reveal the true natures of persons or objects. But to change a story, a Spinner must engage its protagonist, who on some level must accept the new turns in the tale.”
I think it comes naturally. After all, if you take sudden new turns in your story that don't engage the protagonist in any way, it kinda implies you're bad at storytelling - something that can't be applied to the Spinners.
“A Spinner’s power is in the strength of his storytelling, fostered by talent and increased by experience. As you say, a great Spinner can actually SEE the stories of the nearby world—and these stories can reveal the true natures of persons or objects. But to change a story, a Spinner must engage its protagonist, who on some level must accept the new turns in the tale.”
I think it comes naturally. After all, if you take sudden new turns in your story that don't engage the protagonist in any way, it kinda implies you're bad at storytelling - something that can't be applied to the Spinners.